I paint portraits. I used to paint male nudes, in my own mind visual statements about the human condition. The general public however seems to see nothing but a penis when they see a male nude. I've abandoned that route and work mostly with portraits. My technique is as close to the early Flemish painters as possible. I strive for Van Eyck but my style is very much like like Memling.
I've spent the last 15 years studying Van Eyck. When I was in college all we did was pour paint down an incline, call it Art and scratch our heads listening to professors rattle on with Art Speak. They had great jobs, 80k salaries and tenure. So what did they care about anything other than their own interests. They despised realism of any kind.
Art History was another story. We had a GREAT department, very good at bring the History of Art alive. I'd sit in the dark auditorium staring up at 20 ft. projections of the Ghent Altarpiece wondering -with awe- how it was possible to do such a thing? My big break came years later when a visiting artist from southern France, Patrick Betaudier offered a workshop on the Flemish technique. He was way off base, but it opened a door that I've been obsessed with ever since. And I am proud to say that I have come to my own theory of how Van Eyck worked, micro technique and all. It is a 600 year old mystery and I feel I have cracked the code.
There are times I think I have more in common with Northern Europeans from 1430 to 1630 than I do with the world today. At least Artistically, if not more. (Europeans then would have more likely stoned me, but I'd be fighting off the rocks and fighting to get in their pants.)
Those 'Pez heads' are gorgeous, handsome fuckers!!!!!!!!!!!!!!!
I know full well Belgium is not Holland, but my brain does not think in modern borders. When I think of Netherlands, I think in 1430s terms.... Gerard David. Hans Memling. Jan van Eyck. If you tried to convince Phillip the Good of this Belgium/Holland divide he would have looked at you like you were crazy.