bigsal
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ihno, take stock of the situation:
I pay for the restoration.
you, go visit and pay the ticket.
The sum of the ticket collects the Vatican. Why is it so happens.
So tell me. I should worry about the heritage because others can enjoy?
There are many buildings of the Vatican that have been restored at the expense of the Italian state (ie taxpayers), including many churches, where you pay to enter the input. That sum is not intended to Italian state.
To understand certain mechanisms, you should live in Italy. It's nice to have nice things, but to pay for others is less beautiful.
I pay for the restoration.
you, go visit and pay the ticket.
The sum of the ticket collects the Vatican. Why is it so happens.
So tell me. I should worry about the heritage because others can enjoy?
There are many buildings of the Vatican that have been restored at the expense of the Italian state (ie taxpayers), including many churches, where you pay to enter the input. That sum is not intended to Italian state.
To understand certain mechanisms, you should live in Italy. It's nice to have nice things, but to pay for others is less beautiful.
I know but that's not the point. I don't think that's a valid argument to complain about tax money that goes to the "frescos".
The point is that cultural heritage is a responsibility of everyone. A responsibility before history and future generations.
Yes, these things cost a lot of money. And "the church" or anybody else who owns artworks etc. aren't allowed to do with the frescos etc. what they want, they get preservation orders and have to take care for the wellbeing of the piece. And those things cost. So it's only fair if they get supported by tax money.
Or does anyone think that the UNESCO should not care for The Last Supper of DaVinci, only because it's inside a monestary? And if that monestary cannot afford restaurations you would just shrug your shoulders and call it Bad luck and be happy that "the church" didn't get any money?